The Stalin Cult—Theory, Practice & the ‘Holy Grail of Reception’

I’m pleased to be given the chance to comment on Jan Plamper’s The Stalin Cult, as it is a book that I’ve been waiting to read for some time.1 His subtitle—“a study in the alchemy of power”— invokes a mythical process that at one time was held to transform the ordinary into the extraordinary—in this case, the short, pockmarked Ioseb Besarionis dze Jughashvili into the Father of the Peoples and Architect of Communism, Iosif Vissarionovich Stalin.  This is an imaginative, eye-catching turn of phrase; that said, Plamper correctly refuses to allow these poetics to distract him from what is a rigorous and exacting empirical investigation of the production and projection of Stalin’s cult of personality.  Indeed, Plamper’s study dispels much of the mystery surrounding the cult—how it was developed and according to what formula; who was responsible for its individual components and overall concoction; what elements and circumstances contributed to its maturation and ferment; and how Stalin regarded the admixture that resulted.  More than alchemy, then, the cult in Plamper’s telling turns out to have been a perfectly rational, “knowable” aspect of Stalinist governing practices.  Moreover, unlike the long-forgotten alchemic formulae of old, the recipe that Plamper describes has clearly remained in circulation within communist regimes since 1953, most recently transforming the third son and Swiss schoolboy Kim Jong Woon into the Great Successor Kim Jong-un.

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  1. The book follows his 2001 dissertation and a 2010 Russian translation of the monograph—Jan Plamper, “The Stalin Cult in the Visual Arts, 1929-1953” (Ph.D. diss., University of California at Berkeley, 2001); idem, Alkhimiia vlasti: kul’t Stalina v izobrazitel’nom iskusstve (Moscow: NLO, 2010).
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The Stalin Cult – A Blog Conversation

Adolf Hitler, Benito Mussolini, Mao Zedong, Kim Jong-Il, Joseph Stalin. The mere sound of these names conjures up mental images of the personality cult–films, monuments, renamed cities, prose, poetry, and, perhaps most of all, portraiture all designed to raise a dictatorial leader to mythic, super-human status. All Russian history professors teach about the Stalin cult, and students find it endlessly fascinating, yet surprisingly little serious academic research has been devoted to the topic–until now. Yale University Press has just published Jan Plamper’s The Stalin Cult: A Study in the Alchemy of Power, and we have brought in a terrific group of experts to discuss what is, in my estimation, an instant classic in the field of Russian history.

Since we held our first blog conversation on Gulag Boss in the fall, we have received a lot of positive feedback on the format and hope to make this a regular feature here at Russian History Blog. (You can read my initial thoughts on the form of the blog conversation.) Periodically, either my co-bloggers or I will pick a book (new or old) or a topic, bring in guest bloggers with appropriate expertise, and invite our readers to participate via commenting on the individual posts. From time to time, we hope to coordinate our efforts with the New Books Network, as we have done for this conversation. Sean Guillory, host of New Books in Russian and Eurasian Studies interviewed Plamper about the book and I urge you to listen to the podcast and join us for the conversation here at the blog. I also hope you will become a regular at New Books in Russian and Eurasian Studies where many an author, myself included, are given the opportunity to talk about our works. Continue reading

Posted in Blog Conversations, Soviet Era 1917-1991, Stalinism, The Stalin Cult | 1 Comment

Marina Goldovskaya: Chronicler of the Post-Brezhnev Era

My post is about a film festival that was held on my campus on March 18. We screened three documentary films by documentary filmmaker Marina Goldovskaya. I emerged from the event, and also after reading her autobiography, convinced of the importance of the documentary in understanding recent Russian history.

Goldovskaya — who was at the event and commented on the creation of her films — has a unique talent for finding subjects. Her subjects are ideal microcosms that provide a window into larger issues and themes. She adds to that talent an uncanny ability to draw her interviewees out on camera. She rejects the term “interview”and refers to her subjects as “characters.” She calls her interactions with the protagonists of her film “conversations.” Goldovskaya somehow manages to maintain an unobtrusive presence in her films. The setting for her conversations is often the apartment kitchen. She films her subjects as they chop onions, slice bread, and open their souls, as Russian so often do, around the cramped but cozy kitchen table. Her 1993 film (The House with Knights, 58 minutes) explored a famous house on the Moscow Arbat. It was so named because of the distinctive statues of knights in niches outside the grand structure. Built in the early 1900s as an apartment building for the rich and privileged, it was parceled into communal apartments after 1917. Continue reading

Posted in Films, Perestroika, Post-Soviet Russia | 1 Comment

Policing Sexuality in Medieval Russia

The Center for Medieval Studies has a very visible presence at Fordham University where I teach. In the history department alone, medievalist faculty and graduate students maintain a healthy and vibrant intellectual life. Although I am a historian of modern Russia—most of my work has focused on the 19th and 20th centuries—I have found myself drawn into broader historical debates relevant to Medievalists that may be unfamiliar to modernists. Recently I’ve been preparing a lecture for a pedagogical series run by the Medieval Studies Program on “Teaching Medieval Russia.” I was motivated to do this partly out of curiosity to excavate some of my training in graduate school (where one of my fields was medieval Russia) but also to prepare myself to teach such a course next year. As I got deeper into preparing for both the lecture and the course, I found myself faced with two pedagogical challenges. First, what strategies can historians of modern Russia who are less comfortable with premodern times use to effectively cover medieval Russia? And second, how can teaching about medieval Russia benefit from the concerns of medievalists writ large? There’s no way to do justice to both of these topics in a short blog post, but I thought I would look at one particular facet of social history that may serve to highlight some of the challenges—gender and sexuality.

Early on I realized that there was a seeming disconnect between the concerns of the majority of Medievalists (loosely defined as those who focus on the remnants of the Roman Empire in the West) and those who study the vibrant Greek and Slavic cultures connected to the eastern Byzantine Empire. At the same time, historians who tend to look at social issues (such as gender and sexuality) ask similar questions and draw upon analogous records, especially those pertaining to canon law (patristics, legislation from ecumenical councils, penitentials, etc.). As a starting point, there was no better source to highlight both these contrasts and commonalities than Eve Levin’s classic 1989 tome Sex and Society in the World of Orthodox Slavs, 900-1700. Levin’s work is ambitious in scope and scale, deploying types of sources that most medieval historian of gender or of (Western) canon law would find familiar, even though the specific contexts of such sources may be entirely foreign.

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Posted in Gender and Sexuality, Imperial Russia, Medieval Russia, Teaching Russian History | Leave a comment

Three Songs About Motherland

My university (California State University, Long Beach) is screening a number of documentary films about Russia this semester, including three films from the esteemed documentary film maker Marina Goldovskaya: A Taste of Freedom (1991, 46 min.), A Bitter Taste of Freedom (2011, 88 min.), and Three Songs About Motherland (2009, 39 min.)  Goldovskaya will be attending the event on this March 18 — and I will be participating in a panel discussion along with a number of other professors. So if you are in the LA area please do attend. Venue and details about this and other events can be found here: http://bwordproject.org/

Here is my review of one of the films, Three songs About Motherland. I have found it especially valuable for the classroom because of its brevity and neat division into three compelling stories.

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Posted in Cold War, Films, Nostalgia and Memory, Post-Soviet Russia, Soviet Era 1917-1991, Teaching Russian History | 1 Comment

Pussy Riot Arrest and Byzantine Church-State Relations Today

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Five members of the feminist punk rock group Pussy Riot have been arrested for a “punk prayer” at the Church of the Savior in Moscow. Two are being held until late April with threats of sentences up to seven years. The civilian authorities and Putin in particular have declared that their actions are “disgusting.” But some in the church are arguing that this is a church matter and all should be welcome in the church. For a Russian historian the arrest of these women on church property looks like a return to the Byzantine era when church and state were not separated. The civilian authorities make noises about the offenses to the church, but their real concern – and fear – is political protest. Will freedom of speech now be completely eroded?


Father Iakov Krotov from the linked article at http://svobodanews.ru

Posted in Current events in the Putin Era, Imperial Russia, Nostalgia and Memory, Post-Soviet Russia, Russian Orthodoxy, Teaching Russian History | Tagged , , , | 2 Comments

How “Russian” is Kauai’s Fort Elizabeth?

In the early years of the Russian American Company, there was an odd incident that led to establishment of three “Russian” forts on the island of Kauai.  The reasons for that are somewhat complicated (and the study of several interesting books 1), but the physical evidence of the venture is the Hawaiian state park at the site of the “Russian” Fort Elizabeth.  When I first arrived at the site as a tourist, my first thought was that this was not “Russian” at all.

Russian American Company flag

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  1. Most recently, Peter R. Mills, Hawai’i's Russian Adventure: A New Look at Old History, (Honolulu, 2002)
Posted in Imperial Russia, Nostalgia and Memory, Russia in World History, Uncategorized | 3 Comments

New Teaching Russian History Blog

Karl Qualls Associate Professor of Russian History at Dickinson College and author of From Ruins to Reconstruction: Urban Identity in Soviet Sevastopol after World War II (Cornell, 2009) has just launched Teaching History, a new blog that will focus heavily on teaching Russian history among other topics. Karl plans to invite guest posts from specialists to discuss their approaches to teaching particular topics in Russian history.

The first topic discussion is devoted to teaching the Gulag. The two invited specialists are myself and Wilson Bell, a Visiting Assistant Professor at Dickinson and a participant in our blog conversation on Gulag Boss here at Russian History Blog. Wilson and I will be sharing our thoughts on teaching the Gulag to undergraduate survey courses, topical seminars, and junior high/high school courses. Our first posts are now up. I have shared some of my goals when teaching the Gulag and will follow that up with posts that share audio-visual and print resources that I find particularly useful. (Obviously, my Gulag history website, Gulag: Many Days, Many Lives, will be prominently featured.) I hope you’ll join this particular conversation and follow Karl’s new blog on a regular basis. I also hope you’ll consider how you too might contribute to the open access conversation on Russian history.

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Parodies of the Putin Spectacle

On Friday, I gave a talk called “Putin: Spectacle and Anti-Spectacle” with several clips from some amazing videos.    Here’s a really funny one that RH readers might enjoy:  “I work in United Russia”    

It is clearly a spoof on the Russian leader learning that he is being called a thief and immediately blaming his subordinate.   The video then goes on to show scenes from United Russia juxtaposed against scenes from Soviet life.

Posted in Post-Soviet Russia, Uncategorized | Leave a comment

Aloha from Hawai’i

My name is Matt Romaniello, and I’m excited to be joining the Russian History Blog.  I’m an assistant professor of history at the University of Hawai’i at Manoa, and the associate editor of The Journal of World History. I specialize in the Russian Empire, and comparative empires more generally.  While my research has focused on the sixteenth and seventeenth centuries, I’ve followed the history of the Russian Empire into the post-Soviet era to see how relations between Russia and its non-Russian subjects have, or have not, changed.

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Posted in Uncategorized | 2 Comments

Putin, the Russian Protests, and Historical Parallels

My thanks to Elizabeth Wood, who follows up on her blog essay for the Boston Globe, which I referenced in an earlier post, with a pointer to some other interesting articles on the web. So, the remainder of this post is from her:

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For Russian history buffs, the Internet is full of relevant articles right now.   Three that I would particularly recommend are:

a)       Andreas Umland, “How to make Russia democratic?” 

In this article Umland reminds readers of the perils of Russian intelligentsia commitment to moral purity at the expense of political pragmatism and urges today’s liberals to unite and form a single party. Continue reading

Posted in Post-Soviet Russia | 2 Comments

Russian Airborne veterans against Vladimir Putin

Here is a great item related to the Russian protests making the you tube rounds (I picked this up via facebook from Peter Holquist).

Below is a very rough translation provided on the youtube site. For a better translation, see this link: http://thelede.blogs.nytimes.com/2012/01/27/paratroopers-anti-putin-song-stirs-the-opposition/#more-156849

UPDATE (the battle of the bands): Check out this pro-Putin video that has just hit the youtubeosphere: video:http://www.themoscowtimes.com/news/article/pro-putin-paean-dominates-blogosphere/452551.html

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Posted in Post-Soviet Russia, YouTube in Russian History Classes | Leave a comment

Open-Access and the General Public

I have written here and elsewhere on the reasons I decided to launch the Russian History Blog. One reason is a commitment to open access scholarship–to make the products of our scholarly research freely available to the general public. Most academic journals sit behind the pay walls of JSTOR, Project Muse, and the myriad other non-profit and for profit academic databases. As such, they are virtually invisible in the internet age, when not only students and the general public but also policy and opinion makers rarely venture beyond what is quickly and freely available online. I was shocked to read recently that JSTOR turns away 150 million attempts to access articles each year. Clearly, our scholarship would have a reading audience if only we would make it available!

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Posted in Digital Russian History, Uncategorized | 5 Comments

On the (Mis)application of Russian History to an Analysis of the Protests

Many of you no doubt know of the work of MIT’s Elizabeth Wood. She has turned her attention in recent years from Russian revolutionary gender politics and early Soviet propaganda trials to the cult of Putin in contemporary Russia. Wood brings the trained eye of the historian and gender studies scholar to the image of Putin created and propagated over the last dozen years.

Wood has just published a fascinating blog piece for The Boston Globe tying together her studies of Putin with an astute analysis of the protests in Russia. She also (rightly) takes issue with an ill-informed analysis of the protests by Paul Starobin that dredges up old literature and old stereotypes to dismiss the protests:

[A] longer view of Russian history suggests that what looks like a harbinger of democratic change can be better understood as something else: a familiar drama pitting the father of the nation against a flock of discontented children.

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Posted in Post-Soviet Russia, Russian History in Popular Culture | 1 Comment

Aleshka the Baptist

This short blog is just to share what was – for me at least! -  a fascinating intersection of different research interests. A number of years ago, when I was researching my PhD on the impact of de-Stalinisation, I worked with files from the archive of the ‘thick’ journal Novyi mir. I found readers’ letters in response to the publication of Aleksandr Solzhenitsyn’s One Day in the Life of Ivan Denisovich a particularly rich window through which to explore popular attitudes towards the Gulag, the terror, and the processes of release and rehabilitation which had been under way since Stalin’s death in 1953, and wrote an article using them. Continue reading

Posted in Uncategorized | 1 Comment

Northern spaces

Last year around this time, one of my colleagues was asked to be a special commenter on a showing of a documentary on campus.  The film, Passage, focuses on a 19th century failed search for the Northwest Passage (the Franklin expedition) and its aftermath, which played out in the British admiralty, and in the press.  The film focuses on one aspect of this: the question of whether the crew of the British ship turned to cannibalism before succumbing to the elements (which was the story told by Inuit informants to the HBC [Hudson's Bay Company] explorer John Rae), or whether no true Englishman would do such a thing, and they were actually eaten by the Inuit (which was the story Charles Dickens pushed in a rather awful piece of “journalism”).  The film is rather firmly on the first side, and builds its argument in odd and ingenious ways.

As we talked about the film, we realized that there would be a lot to talk about by looking at a different kind of oceanic history:  by looking at Arctic world history.  And so, this year, we’re co-teaching a course called “True North: Circumpolar Histories.”  (The syllabus is here, should anyone be interested.) Continue reading

Posted in Imperial Russia | 6 Comments

Hot-Tub Diplomacy and Star Wars

I’ve been reviewing documents from the Hoover Archives in connection with my latest project (http://russianhistoryblog.org/2011/10/transnational-history-and-space-flight/). The ones I’ve posted here, with brief commentary and historical context, concern an organization of astronauts and cosmonauts called the Association of Space Explorers, which held its first Congress in Paris in October 1985.

Aleksei Leonov and Deke Slayton on the Apollo-Soyuz Test Project

The idea for the group emerged during informal conversations between cosmonauts and astronauts dating back to the Apollo-Soyuz mission in 1975 — that “memorable handshake in space,” as the world press at the time put it. The end of detente, however, got in the way, first with the Soviet invasion of Afghanistan, followed by the U.S. boycott of the Moscow Summer Olympics, the Soviet boycott four years later of the Los Angeles games, Reagan’s announcement of the Star Wars program in March 1983, and the Soviet shooting down of a South Korean jet airliner in September 1983. Continue reading

Posted in Cold War, Detente, Soviet and Russian Space Flight, Soviet Era 1917-1991 | 2 Comments

A guard’s perspective: Dovlatov’s Zona

After a slightly longer blogging ‘vacation’ than I had intended, I used some of the Christmas break to catch up on the posts I missed. Like many others, I particularly enjoyed the Gulag Boss discussion. It motivated me to start re-reading one of the few other texts I know written from the perspective of a camp worker, rather than a prisoner: Sergei Dovlatov’s wonderful The Zone.

Dovlatov’s work relates to his time he served as prison camp guard as part of his military service in the early 1960s. It masterfully integrates extracts from his (allegedly) incomplete manuscript full of rich anecdotes from camp life, and correspondence with his editor about how such material should be treated.  Continue reading

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Imagining the Petersburg-Moscow Road in the Late 18th Century

How do you imagine what a road was, historically?  Quite often, histories of transport describe histories of surfaces: the evolution of building techniques, say, from wooden planks to macadamized stone to modern asphalt or concrete.

Novgorod Province, Postal Map (1808)

Alternatively, roads are presented as transportation networks or ‘scapes’: that is, as a series of junctures (like the famous Moscow Metro Map) that permit traffic to flow from stop to stop to stop. Yet however important construction- or traffic-based approaches are, one thing they don’t capture is the way that human community is arranged in support of roads, and why. What are the social ‘moorings’ that sustain roads: that service their surfaces and also their travelers, and thereby make transportation along their elaborately constructed landscapes possible at all?

I’ve been trying to visualize an answer to this question, for one of Russia’s most famous roads: the Petersburg-Moscow corridor, in the late 18th century.  In what follows, I sketch some initial results; I’d be happy for your thoughts on it.

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Posted in Digital Russian History, Imperial Russia, Russia in World History, Uncategorized | Tagged , , | 3 Comments

Desert of Forbidden Art

This 2010 documentary, which has deservedly gotten a lot of press, is well worth showing to students (http://desertofforbiddenart.com/). It follows a treasure trove of Russian art stashed in a remote desert region of Uzbekistan known as Karakalpakstan, where the art was hidden from Soviet censors. Getting there required crossing a vast desert—punctuated by breaks at fly-infested truck stops. Nukus was the principal city of this desert outpost and the location of the museum housing this unlikely art collection. The art was forbidden, not because the artists were consciously anti-Soviet, but because they simply followed their own muses, irrespective of the dictates of the official Soviet artistic style under Stalin.

That such a collection of astounding avante-garde art could exist in Nukus amazed a New York Times reporter, who happened upon the museum during his time as a foreign correspondent covering Uzbekistan after the collapse of the Soviet Union. Continue reading

Posted in Films, Russian and Soviet Art, Soviet Era 1917-1991 | 1 Comment